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STRING THEORY SCHOOL
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STRING THEORY SCHOOL
HOME
ABOUT US
CURRICULUM
MEDIA
FAQs
HOME
ABOUT US
CURRICULUM
MEDIA
FAQs
Foundational Open Forms & The Three-Chord Anchor

Foundational Open Forms & The Three-Chord Anchor

Dominant Anchors & Symmetrical Common-Tone Shifts

Dominant Anchors & Symmetrical Common-Tone Shifts

Minor Modality Extensions & Secondary Dominants

Minor Modality Extensions & Secondary Dominants

CAGED Fretboard Architecture & Movable Major/Minor Barres

CAGED Fretboard Architecture & Movable Major/Minor Barres

Drop-2 Voicings & Contemporary Jazz Harmonization

Drop-2 Voicings & Contemporary Jazz Harmonization

Movable Dominant Architecture & Functional 7th Clamps

Movable Dominant Architecture & Functional 7th Clamps

Diatonic Extended Harmony & Upper Structure Colorations

Diatonic Extended Harmony & Upper Structure Colorations

Spatial Triad Inversions & Closed-Voice Voice Leading

Spatial Triad Inversions & Closed-Voice Voice Leading

Altered Dominant Textures & Tension Mechanics

Altered Dominant Textures & Tension Mechanics

Four-Tone Inversions & Linear Harmony Navigation

Four-Tone Inversions & Linear Harmony Navigation

Polytonal Layering & Quartal/Quintal Harmony

Polytonal Layering & Quartal/Quintal Harmony

Non-Functional Clusters & Microtonal Chord Systems

Non-Functional Clusters & Microtonal Chord Systems

STRING THEORY SCHOOL

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