D Dorian

Exploring the bright minor sound (1 - 2 - b3 - 4 - 5 - 6 - b7) popularized in jazz, fusion, and classic rock. Students learn to master this pattern up and down the neck, contrasting its smooth 6th degree against the dark character of the natural minor scale.

Previous
Previous

Dominant Funk Modality & The Mixolydian Groove

Next
Next

The Symmetrical Fretboard Grid & 3-Note-Per-String Mechanics